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THE ROYAL COURT THEATRE THEATRE
THE ROYAL COURT THEATRE - NEW SOURCE OF 4 CFU English playwright
FIRST SEMESTER
House Monday from 14.30 to 16.30 V
Sector Scientific Affiliation: ENGLISH LITERATURE L-LIN/10
Objectives : The student should be able to read and comment on the texts so critically and know how to put in its historical and social context.
Prerequisites: Basic knowledge of the history of English drama.
Course Content: Reading and commentary of the texts in the program and analysis of certain representations of works studied.
Textbooks:
Opera: Harold Pinter, Ashes to Ashes , Faber & Faber, 1996, Mark Ravenhill, Shopping & Fucking , Methuen, 1996, Caryl Churchill, Drunk Enough to Say I Love You? , Nick Hern's Books, 2006, Polly Stenham, That Face , Faber & Faber, 2008;
TEXTS: Harriet Devine, Looking Back: Playwrights at the Royal Court , Faber & Faber, 2006; R. Little, E. McLaughlin, The Royal Court Theatre Inside Out , Oberon Books, 2007 (these texts are provided in the pantry, available at photocopy center of Villa Mirafiori) Aleks Sierz, In-Yer-Face Theatre: British contemporary drama , Publishing & , Entertainment, 2006.
Teaching methods: lectures.
mode frequency is not mandatory.
Assessment methods: written test for not attending; for attending written test or interview.
THE ROYAL COURT THEATRE - NEW SOURCE OF 4 CFU English playwright
FIRST SEMESTER
House Monday from 14.30 to 16.30 V
Sector Scientific Affiliation: ENGLISH LITERATURE L-LIN/10
Objectives : The student should be able to read and comment on the texts so critically and know how to put in its historical and social context.
Prerequisites: Basic knowledge of the history of English drama.
Course Content: Reading and commentary of the texts in the program and analysis of certain representations of works studied.
Textbooks:
Opera: Harold Pinter, Ashes to Ashes , Faber & Faber, 1996, Mark Ravenhill, Shopping & Fucking , Methuen, 1996, Caryl Churchill, Drunk Enough to Say I Love You? , Nick Hern's Books, 2006, Polly Stenham, That Face , Faber & Faber, 2008;
TEXTS: Harriet Devine, Looking Back: Playwrights at the Royal Court , Faber & Faber, 2006; R. Little, E. McLaughlin, The Royal Court Theatre Inside Out , Oberon Books, 2007 (these texts are provided in the pantry, available at photocopy center of Villa Mirafiori) Aleks Sierz, In-Yer-Face Theatre: British contemporary drama , Publishing & , Entertainment, 2006.
Teaching methods: lectures.
mode frequency is not mandatory.
Assessment methods: written test for not attending; for attending written test or interview.
Atrial Tachycardia, Sinus Tachycardia Difference
4 CFU
House VI SEMESTER II Monday 14.30 to 16.30
Sector Scientific Affiliation: ENGLISH LITERATURE L-LIN/10
Objectives: The student should be able to read and discuss texts critically, and know how to put in its historical context and social.
Prerequisites: Basic knowledge of the history of English drama.
Course Content: Reading and commentary of the texts in the program.
Textbooks:
Opera: John Ford, 'Tis Pity She's a Whore (edition and Italian translation in front of John Ford, Pity She whore , edited by Nadia Fusini Workshop editions 1984), John Webster, The White Devil , (Italian translation by A. Camerino, in M. Praz, eds, Elizabethan Theater, Sansoni, Florence, 1948).
TEXTS: No D'Agostino, A. Lombardo, G. Melchiori, Marlowe, Webster, Ford , Olympic Academy, Vicenza, 1975; A. Indeed, D. Guardamagna, Theater James and Caroline , Carocci, Rome, 2002; G. Baldini, Elizabethan Drama, Vallardi, Milan, 1962.
Teaching methods: lectures
mode frequency is not mandatory.
Assessment methods: written test for not attending; for attending written test or interview Oral.
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